Monday, May 07, 2007

Grindhouse: I Want the Quentin Tarantino Action Figure

So, the word up in the UK is that there is a delay on the release on two full length feature Grindhouse movies written by Quentin Tarantino & Robert Rodriguez put together as a B movie double feature combo including fake movie trailers sandwiched in between. The films opened recently in the US and the takings at the box office were not great as expected.

Surprised?

The word on the street is that people couldn't hack the 3-hour plus running time of both films. On paper the concept is hilarious, but somehow it defied the law of gravity and failed to translate with the i-Pod generation who have as much patience as a digital donut.

IMDb said it best - "a double-bill of thrillers that recall both filmmakers' favorite exploitation films. "Grindhouse" (a downtown movie theater in disrepair since its glory days as a movie palace known for "grinding out" non-stop double-bill programs of B-movies) is presented as one full-length feature comprised of two individual films helmed separately by each director. Tarantino's film, "Death Proof," is a rip-roaring slasher flick where the killer pursues his victims with a car rather than a knife, while Rodriguez's film "Planet Terror" shows us a view of the world in the midst of a zombie outbreak. The films are joined together by clever faux trailers that recall the '50s exploitation drive-in classics."

Why didn't the the American movie going public didn't latch on to the double feature movie drive-in vibe of these two cinematic monsters?

I can't wait to see Rose McGowan as 'Cherry Darling' in Planet Terror. NECA Toys has even made a Quentin Tarantino action figure entitled "Rapist No #1". It's hilarious.

Meanwhile, the UK film distributor is having kittens over releasing the two films back to back. There's now talk that Mirrormax is re-editing both films to make them shorter, which, to me, defeats the whole purpose of presenting these films in their originial cut.

The American movie market is steeped in Disney-friendly test screenings. The investors don't want to gamble on their financial investments. This is why the majority of today's movies are predictable, cliche and boring. Boy meets girl, boy gets girl, audience goes home with nothing new. No wonder the film industry is in trouble!

More power to Rodriguez and Tarantino for sticking it to the traditional Hollywood star system. I guess what Mirrormax is trying to do is what they did on Kill Bill 1 and Kill Bill 2. Both Kill Bills were originally one 3-hour movie, but the studio realized that the US film audiences wouldn't be able to sit through 3 hours of gore and violence, so they split the film in two and released it in two stages. It seemed to have been critically and commercially successful.

The same cannot apply to Grindhouse because 'Death Proof' and 'Planet Terror' were made to be seen side by side. It saddens me that today's cinema goers have now conception of what it is like to go to the movies with your friends and watch two B movies back to back, eat a lot of popcorn and feel bug-eyed when you leave the cinema. It's a great movie going tradition which mean anything to today's moving going public.

Tarantino and Rodriguez are adventerous in their quest for originality and cool, but today's Pepsi generation is too steeped in Spiderman 3 and Fantastic Four Do Dallas. But don't let the big studios influence you in your judgement. 'Death Proof' and 'Planet Terror' are both works of art. If you dug 'Faster Pussycat, Kill Kill Kill', these films are for you.

Sunday, May 06, 2007

Spiderman 3 - Peter Parker Goes My Chemical Romance

Caught the new Spiderman 3 flick on Saturday. The film wasn't as bad as I thought it was going to be. The whole storyline with Kirsten Dunst being a theatrical singer was really bizarre. But even more baffling was how strange Peter Parker started behaving after he put on the black Spidey suit.

Next thing you know he looks like he's playing bass guitar for My Chemical Romance, sports an Emu haircut and eyeliner. He walks down the street to the Bee Gees' 'Staying Alive', looking at all the hot chicks.

I am sure Sam Raimi had something up his sleeve here, but what was a superhero franchise, started to turn into an episode straight out the OC.

There's no denying the visual effects were stunning, but you just couldn't help thinking what they are going to do next with Spiderman 4. There has to be another film to the series, because this one ended with a soppy love story element to it which was unsurprisingly corny and predictably American.

The romantic thread between Peter Parker and Mary Jane was very suspect. In Spidey 3, Peter studies at school with some hot blonde babe who looks a million times sexier than Kirsten, verging on hooker territory. I am sure Kirsten is a nice babe, but she tends to come across like a moody brat. You can't help but want to snap her out of her post-teen coma.

What was she doing snogging Green Goblin?

Sandman was a fascinating super villain. Venom was interesting but he didn't get enough screen time. I liked how Raimi brought back the Green Goblin and used this character as a counterpoint to Peter Parker's paranoia.

Spiderman 3 was a lot better than the recent Batman and Superman movies. I think if Raimi can get even more subversive on the next Spidey movie, we might even start seeing the real Peter Parker; former heroin addict and ex-porn star... but don't expect an action figure. Popcorn for everyone. But please, no more test screenings. Just make Spiderman real.