Batusis featuring Sylvain Sylvain and Cheetah Chrome to release EP and embark on UK tour

Punk Rockers of the world unite. If you love the New York Dolls and the legendary punk band the Dead Boys, then this punk rock supergroup is for you!

Smog Veil Records today announced the SXSW debut concert and debut recording by punk rock supergroup “Batusis” featuring the seminal punk icons Sylvain Sylvain (New York Dolls) and Cheetah Chrome (Rocket From The Tombs/Dead Boys).

Batusis will perform their debut SXSW concert in Austin, Texas at 10pm on March 18th at the Prague, followed by Cheapo Music at 5pm on March 19th.

Check out the Batusis at SXSW on March 18th: http://my.sxsw.com/events/event/5678

Batusis, whose name is derived from when Adam West danced a version of the watusi on the Batman TV series, release their self-titled debut EP on collectable 7” inch multi-colored vinyl and digital download on Smog Veil records throughout North America & Europe on May 4th.

“I’ve known Sylvain since 1975,” says Cheetah. “The Dolls were a huge influence on me.” Sylvain adds “We’re just nuts about rock ‘n’ roll. We knew that’s what we’d come up with, no matter what!”

The EP also features Enzo Penizzotto (bass) and Thommy Price (drums) of Joan Jett and the Blackhearts.

To coincide with the record release, Sylvain and Chrome will undertake a nationwide “Batusis” UK tour in May as follows:

Glasgow ABC2 - May 3
Sheffield O2 Academy2 - May 4
Liverpool O2 Academy2 - May 5
London Islington Academy - May 7
Hatfield Forum, Attic Room - May 8
Oxford Academy2 - May 10
Southampton Joiners - May 11
Bristol O2 Academy2 - May 12
Birmingham O2 Academy2 - May 13

Ticket Hotline:0844 477 2000
Book Online: http://www.ticketweb.co.uk/

Southampton Joiners Box Office: 02380 632 601
Southampton Joiners Online Booking: http://www.seetickets.com/

Check out the track from the forthcoming debut EP from www.myspace.com/batusis

Also check out Smog Veil's official website http://www.smogveil.com/

New York Dolls Should Get A Grammy For 'Cause I Sez So

The new album from the New York Dolls - 'Cause I Sez So - continues to fascinate and entertain. The band have release what potentially could be their finest album of their career.

After 36 years since their 1973 debut album, the band have roped in their original producer, Todd Rundgren, to helm the new album. The results are incredible; with some of the best blues and R&B embellished rock and roll songs of their rollercoaster career.

Stand out tracks include 'Cause I Sez So, Ridiculous, My World, Exorcism of Despair, Muddy Bones and a slow bluesy rendition of Trash. So far, this year, there is no other album that comes close to the new Dolls album.

if you love albums like Raw Power by Iggy and the Stooges, Television, the Heartbreakers and Suicide, this album is right up your rock and roll street.

If the Dolls don't get a Grammy nomination for this album, there is no justice.

Oh, and bring back Creem magazine - all is forgiven!!!

With raw photographs of rock's greatest stars and insightful prose by the legendary rock journalists who were stars in their own right, CREEM magazine stood at the forefront of youth counterculture from 1969 to 1988 as "America's Only Rock 'n' Roll Magazine."

A product of Detroit's revolutionary counterculture, CREEM cultivated an incredibly gifted staff of iconoclastic scribes, editors, photographers, and graphic artists whose work continues to resonate today, including: Lester Bangs, Dave Marsh, Richard Meltzer, Nick Tosches, and a not-so-famous Cameron Crowe.

They invented a raucous new form of journalism, where the writing and photographs were as much an expression of rock 'n' roll as the music itself. CREEM embraced and abused the best and the worst of the era: MC5, Led Zeppelin, the Rolling Stones, the Faces, Lou Reed, the Stooges, T.Rex, Kiss, Mott the Hoople, the Who, the New York Dolls, Bob Seger, Ted Nugent, Aerosmith, the Ramones, Cheap Trick, the Clash, and Van Halen, among many others.

Now the Mouth of the Motor City presents a retrospective of the beautiful haze that was rock's golden age—from the end of the hippie days through glam and punk and into '80s metal.