Todd Rundgren triumphs with A Wizard, A True Star at the London Hammersmith Apollo

Todd Rundgren and his all-star band rolled into London last night for what will be remembered as a career defining concert - the British concert premiere of his 1973 epic album "A Wizard, A True Star."

The concert has been highly anticipated for a year now. Rundgren opened the show with a 30 minute set entitled Todd Rundgren's "Johnson." Todd (vocals, guitar), Kasim Sultan (bass), Jesse Gress (guitar) and Prairie Prince (drums)performed their own renditions of bluesman Robert Johnson. An album's worth of material is to follow in the coming months.

I was very sceptical about how Rundgren would pull off re-creating the music from Wizard and how he would keep the audience's attention. But like some outerspace theatrical glam rock, tongue and cheeck rock concert, the minute Todd walked on stage dressed in NASA astronaut's suit, you new this show was going to be on par with David Bowie's famous farewell Ziggy Stardust gig (at the same Hammersmith Apollo venue).

But this was Rundgren's defining moment. There were rock star moments in a rock and roll circus spetacle that was chaotic, fun and emotionally uplifting, and at times, heartfelt and poignant. Wizard was the album that defined a generation, and although it was originally panned by critics when it was released in 1973, it has since been namechecked by tons of young British bands.

Not only did the album combine several music genres and styles, but it also told the rollercoaster story of a psychedelic trip as driven by one of pop's greatest DIY wonders.

The costume changes brought back the theatricality of when rock and roll shows were an event. I don't know if Rundgren did this concsiously, but I haven't witnessed something theatrical like this since David Bowie stunned audiences with his memorable Diamond Dogs tour.

Vocally, Todd sounded impeccable. His Philly soul stylings touched a nerve, particularly when he sang the soul medly I'm So Proud / Ooh Baby Baby / La La Means I Love You / Cool Jerk.

When Bobby Strickland told everyone to get up on their feet during Cool Jerk, suddenly the gig skyrocketed into orbit with Hungry for Love, I Don't Want To Tie You Down, Is It My Name? and the encore One Last Victory.

As the concert drew to a close, the sold out 3,500 strong crowd, stood on their toes with wild applause. Todd Rundgren conquered London. It will be interesting to see what the 'True Star' will do next.

As we left the venue, there was a stall selling the entire concert on USB stick. The USB is available to order online from http://concert-online.com/en/artist/25886/Todd-Rundgren.html

Photo Credit: (c) John Rahim

Introducing the iGarage-Door-Opener""

Apple's newest product offering, the iGarage-Door-Opener, comes hot off the heels of the release of the immensely-popular iPhone.

Featuring a multi-touch display and easy-to-use software, control of all vital garage door functions is at your fingertips.

Similar in appearance and functionality to its telephone counterpart, the iG.D.O. contains a 350MHz transmitter and is capable of downloading and storing up to 10GB of mp3 files.

The advanced settings menu allows you to select various "operation tones" that will play while the door is in the process of opening and/or closing, and the bottom surface of the iG.D.O. even contains a heavy-duty titanium clip if for those who choose to mount it on a belt or sun visor.

With a retail price in the neighborhood of $350, Apple quickly admits that the iG.D.O. isn't for everyone.

However for those well-to-do people who have everything but a fashionable means of opening and closing their garage doors, this product will likely make the perfect Father's Day gift.

Todd Rundgren to release A Wizard A True Star European Gigs on USB Stick

Todd Rundgren today announced that he will release both his forthcoming London Hammersmith Apollo and Amsterdam Paradiso February 2010 concerts on USB stick.

The news recently came as part of an announcement from the German based live music recording company Concert-Online.com. Fans will be able to pre-order both concert sticks weeks before Rundgren and his all-star AWATS band fly to Europe.

A Wizard A True Star is a milestone psychedelic album from 1973 that has influenced a generation of new British bands including The Big Pink, Simian Mobile Disco and Hot Chip. When the album was originally released in 1973, it held the record for being the longest playing vinyl album of all time (over 60 minutes), came in die-cut packaging and was double grooved.

The USB sticks retail for £20 Pounds Sterling and 25 Euros. If you don't want to pre-order the USB sticks, and you will be attending one of the concerts, you can purchase your stick directly after the shows.

The London show will take place at the HMV Hammersmith Apollo on Friday February 6th, followed by the only Dutch show at the Paradiso, Amsterdam on Sunday Feburary 8th.

The impressive all-star AWATS line-up will comprise former members of Utopia, The Cars and The Tubes and includes Ralph Schuckett (keys, vocals), Prairie Prince (drums, vocals), Jesse Gress (guitar, vocals), Greg Hawkes (keys, vocals), Kasim Sulton (bass, vocals) and Todd Rundgren (vocals, guitar).

To pre-order the USB sticks, please visit www.concert-online.com.

Kraftwerk Box Set in German!!!

Amazing but true. Fed up with hearing Kraftwerk singing their classics in English?

Interestingly, you can order their new digitally remastered Box set of albums on CD from Amazon.de - with Kraftwerk singing in their native German tongue? It's entitled "Kraftwerk - Der Katalog."

Why order the English edition from Amazon.co.uk when you can order the real thing, the way the band was meant to be heard - in German.

Click here to order the German box set of reissues and forever hold your DAF record collection.

http://www.amazon.de/Katalog-German-Box-Set/dp/B002LYC29A/ref=sr_1_1?ie=UTF8&s=music&qid=1256151166&sr=1-1

Europe Back On The Map With Stunning New Album

Sweden's hard rock band, Europe, best known for their 1986 global anthem 'The Final Countdown', have returned with an exhilarating new hard rock album that radiates an energetic blues rock and swagger.

Fans of Deep Purple, Journey, Bon Jovi, Van Halen - run for cover, because believe it or not, this could be the rock and roll album of the year.

Entitled 'Last Look At Eden', the album rips up vintage blues, R&B, hard rock, 70's funkin' rock grooves and merges it together with pounding drums and John Norum's signature guitar riffs.

Vocally, lead singer Joey Tempest exudes masterful tones and a conviction not heard since Robert Planet yelped his hear out with Led Zeppelin. Although the title track 'Last Look At Eden' is a majestic sexy rocker, with the lyric - "I've seen the truth, modified for you... and we just can't buy it," it's the power ballad, 'New Love In Town', that puts Europe back on the map.

'New Love' is a classic power ballad of the highest order. It reminds me of Journey's 'Don't Stop Believin' which has become something of a modern day anthem (thanks to the exposure the song had on the final episode of The Sopranos). 'New Love' is the kind of song Aerosmith and Bon Jovi would kill for. If rock and roll is supposed to be everlasting, this is the song to make it a reality. It’s Europe’s one way ticket to salvation.

With an imminent UK tour in February on the cards, and a whole new generation of hard rock fans looking for a classy return, Europe looks like they around going to be around for another 12 rounds of pure rock and roll mayhem.

The Award-Winning SXSW winners "The Black and White Years" to open for KanYe West and Basement Jaxx at London's Wireless Festival

Austin indie electro dance rockers, The Black and White Years, will make their debut performance in London at the Wireless Festival in Hyde Park. The band is scheduled to play both dates of the two-day festival with headliners Basement Jaxx on July 4th and KanYe West on July 5th.

The Black and White Years were the standout band at 2009's South by Southwest with four outstanding showcases including a performance with Devo, Tricky and Datarock; plus a relentless week that kicked off by winning five major awards at the 27th Annual Austin Music Awards, the ceremony which marks the beginning of the SXSW Music Festival.

When revealing the band's achievement to the capacity audience at the Austin Music Hall, acclaimed journalist and Austin DJ, Andy Langer, who hosted the Austin Music Awards, announced, "The Black and White Years are tonight's big winners with five awards... a SWEEP!"

The Austin, Texas four-piece were presented with SXSW trophies for Best New Band and Best Song for their single, Power to Change, Best Performing Band - Rock and Best Bass Player (John Aldridge). In addition, Jerry Harrison (Talking Heads, Modern Lovers) won the award for Best Producer of the Year for his work on The Black And White Years' eponymous debut album.
Jerry Harrison first saw The Black And White Years' live performance in a parking lot amongst a handful of people during SXSW 2007 and was immediately taken by the quirky arrangements and lyrical themes. Soon after, Harrison produced the band's debut album in Sausalito Sound Studios.

The single, "Power to Change," became a hit song in Austin after the city's key rock station, KROX-FM, added it into full-time rotation after nearly a year of airplay on their weekly new music program, Next Big Thing. The song became one of the station's most requested favorites, while garnering airplay in other U.S. markets, most notably, Albany, were it spent four weeks at #1 on WEQX.

The band has become a fixture in Austin's legendary club scene via its high-energy sets that are true to the "electro-dance-rock" label that has often been used to describe them and the "wild-eyed, compulsive shuddering" performance of lead singer and writer, Scott Butler. The band has also taken this live experience out of the clubs and to the masses, performing at Austin City Limits Music Festival, CMJ Music Marathon, MIDEM, and now, London's Wireless Festival in July.

The album, The Black and White Years, was released nationally in the U.S. in September 2008 through ADA/Adrenaline after gaining momentum over the year as an "Austin-only" release on the Texas-based independent label, Brando Records.

The album is available in the UK on iTunes. A UK edition of their debut album, featuring five brand new tracks, will be released throughout the UK and the rest of Europe in early 2010. Meanwhile, the band is currently recording its second album and planning their first American tour in September.

Todd Rundgren revisits his psychedelic masterpiece: A Wizard, A True Star

It was inevitable. Brian Wilson started the trend a few years ago when he performed the album "Smile" for the very first time. Recently, Van Morrison performed the entirety of "Astral Weeks" to rave reviews, as did Lou Reed with the "Berlin" album last year and the year before that.

So it was only a matter of time until the enigmatic pop raconteur, Todd Rundgren, re-visited his 1973 psychedelic masterpiece "A Wizard, A True Star", and decided to perform its British Premiere at the London HMV Hammersmith Apollo on 6th February 2010.

This is the album that literally defied the law of gravity when it was initially released on an unsuspecting public. The album clocked in almost an hour's worth of running time, and back in those days, vinyl albums, on average, lasted 35 minutes.

But forget about the running time shenanigans, think about the music.

It was insane but melodic, pretty but subversive, poptastic but bombastic, sexy but banal, exciting and futuristic, progressive and intuitive.

At the time, Rundgren encapsulated everything glam rock and prog rock, pop and soul couldn't fathom - a reason to live, and a reason to believe.

From the Technicolor "Zen Archer" to "You Need Your Head", "You Don't Have to Camp Around", "Just One Victory", "Just Another Onionhead", "Never, Never Land" to the essential "International Feel" ("I only want to see if you'll give up on me"), this was the album that made David Bowie do a re-think, and also made every half decent rock star throw the rulebook out the window.

So with great applause, I congratulate the Philly Soul boy for having the sheer guts to dust off the sonic extravaganza and let the new generation of fans get a taste of what they missed out the first time around.

If Empire of the Sun and MGMT really want to trip the light fantastic, this will be the concert that will help them trip the day-glo light fantastique.

Interstellar appeal just got more appealing.