Was (Not Was) all-star line-up on new album BOO!

You have to hand it to Don and David Was; they've got the funky, jazz-fusion soul brother vibe down pat. Their new album, BOO!, is their first studio album since 1992. Simply put, it's a mindblower.

The minute you slap the CD on, out pops a the funky soul workout "Semi Interesting Week", complete with soul backing vocals, guitar and a cooler-than-now horn section. You begin to ask yourself, "The only other band who can pull this kind of funky stuff off, is Steely Dan, but even the Dan is too clinical sounding when it comes to the dirty raw sound of Was (Not Was)."

Second track which I like to refer to as the 'hit single' is like a throwback to Booker T. and the MGs or the Temptations. "It's A Mircale" is like a wake up call to the authentic Detroit sould of yesteryear, horns a pumping, great vocals from Sweet Pea Atkinson and Sir Harry Bowens. Suddenly they sing the lyric, "Who broke the fucking TV?" You don't say?

Third track, "Your Luck Won't Last", is quite possibly the most cynical song title of the year. It's the kind of shit Prince should be churning out. It's like a cross between Cameo's "Word Up" and something off the "Sign O' The Times" album. Retro modern, funky, electro wah-wah heavy LA cool. Was (Not Was) reign supreme.

The band show their true feathers with another colour when the fourth track hits the speakers. "From the Head to the Heart" is the only ballad "There's a story in the paper about a young boy laying dead. He tried stealing a TV set, when he should have been in bed."

It's like a merry-go-round New Seekers vibe, lots of piano and strings. The perfect chill out track after you return from an expensive restaurant with bad service and lots of ugly people staring at each other. This track reminds me of something from Paul Anderson's "Magnolia" movie. This song will make you cry 96 tears in the motor city.

Track 5, "Big Black Hole" brings you back to familiar Was territory, all rhtyhm and blues, funky soul and smoky jazz lounge nightmares. Very laid back, cool, funky, something familiar and comforting. Very cinematic. Was (Not Was) like to think big screen. Popcorn for everyone.

Track 6, "Needletooth" is the bands experimental robotic, futuristic tour de force. It's wack. Time signatures all over the place. 2 minutes and 14 seconds of anything goes. This is eccentric Was (Not Was). No Was album would be the same without a track like this. Hilarious fun, completely pointless and essential.

Track 7, "Forget Everything" - 5 minutes and 16 seconds of big kick drum beats, Hammond organ, sexy horn section, choppy rhythm guitar, a salute to the late James Brown, a return to chest pounding funk. Yabba Dabba Doo. The soul review just pulled into town, and guess what? It has a sense of humour.

This album makes Donald Fagen's "Morph the Cat" sound like James Blunt with a hangover. Jazzers will love this track. Losers in your local bar will lose their minds to it.

Track 8, Sweet Pea Atkinson belts out "Crazy Water", a staple Was (Not Was) R&B workout. Sings Sweat Pea, "The Senator's son and the President's daughter, all came to town for that crazy water." Not sure if that's a baritone sax or a trumpet pumping out, but it sounds like a Mississippi soul picnic jam. Is there no stopping the Was army?

Track 9 - it's probably the best track on the album, and for good reason. Not only does it have the best song title, "Mr. Alice Doesn't Live Here Anymore", but the track is co-written by non-other than Bob Dylan, David Was and Don Was. It's reminiscent to something from an Ike and Tina Turner concert, when Tina actually meant something. Great drums and superlative wah-wah guitar. Martin Scorcese must be digging this song. It's no surprise that Kris Kristofferson appears on the closing track on the album.

Which brings us to Track 10, "Green Pills in the Dresser", a bluesy C&W, Mexican heatwave of a song. Says Kristofferson, "He says Hitler's a hero, and that God is a giraffe." It's stunning, momentous and the perfect way to end an album.

David and Don Was have worked with a list of artists which reads like a Who's Who of rock. They've collaborated with stars such as The Rolling Stones, Bob Dylan, Iggy Pop, Elton John and Brian Wilson. Now, as artists in their own right, "BOO!" will put Was (Not Was) back on the scene as one of music's true innovators. They have the knack of effortlessly mixing soul, R&B, funk, blues, pop, rock and electronica into a melting pot of originality.

BOO! is a magnificent achievement.

30 Days of Night: Inside the Creative Mind of Steve Niles

By now most of you will have either read Steve Niles' graphic horror novels '30 Days of Night' or you may have seen the big budget vampire horror film adaptation of the same name. Either way, the fact remains, Niles has put a new spin on the vampire movie genre. And it's about time!

All is not what it seems when it comes to the film adaptation. Bizarrely, like any big film studio, sometimes the original graphic novel storyline doesn't make it in full to the final big screen adaptation.

Before the movie came out in the UK last November, I wasn't aware of who Steve Niles was or his 30 Days of Night graphic novels. Sam Raimi (Evil Dead, Spiderman) spent several years trying to get 30 Days greenlighted into a big budget vampire horror flick, but it wasn't until he had success with the Spiderman movies, when 30 Days finally made the jump from a jumped up comic book to a big budget horror movie (with a twist).

I got into the 30 Days experience the other way around, whereby I saw the movie first, before I read the first 30 Days graphic novel. The movie was intriguing, but I was convinced the Hollywood studio diluted Niles' original vision that he shared in his first 30 Days graphic novel. I decided to get my hands on a copy of the first book which featured fantastic, if not, disturbing illustrations by Perth-based graphic illustrator, Ben Templesmith.

The novel knocked me for six. It was both intelligent, very direct, imaginative, haunting and psychologically disturbiing (but in a good rock'n'roll kind of way). Once I read the book and digested Templesmith's eye candy, everything fell into place.

I then realised that there were several subplots within the first novel that never made it to the movie adaptation. Strage because it was Niles who ended up writing the screenplay for the movie. After I read the first book, I got the impression that Niles had to compromise about what he could include in the movie and what he could not.

What is missinig from the movie is the back story about Judith the vampire hunter who is based in New Orleans. She knows that vampires from around the world are communicating with each other over the Internet, to all meet up somewhere on the planet to participate in a massive feeding frenzy. Judith almost pieces the clues together and thinks the Vampires will be meeting up in her native New Orleans, but inevitably she is duped, and the Vampires end up targeting a small town in the Northern most part of Alaska (Barrrow).

Every December, the town of Barrow doesn't get sunlight for a month. The Vampires do their homework and that's where they converge for the feed. But once it happens, it's too late for Judith to stop it. The Vampires have tricked her and they work the con to their advantage. But in the movie, you have no idea who the Vampires are or where they come from. The studio thought it would be too complicated to include the back story about Judith the vampire hunter.

Interestingly, I have just discovered that the UK distributor for the DVD release of 30 Days of Night, Icon Home Entertainment, are planning on releasing the movie as a 2-Disc Special Edition DVD, and it will also be released on Blu-ray (apparently HD DVD is R.I.P.).

But that's not all. In America last year a couple of US horror movie websites were streaming "30 Days of Night: Blood Trails" - seven episodes of live action film sequences that tell the back story of Judith the vampire hunter. Icon Home Entertainment will be releasing Blood Trails in the UK as a separate DVD for £4.99 ($10.00 US dollars), and this will be sold alongside the DVD and Blu-Ray release of the 30 Days of Night movie. Release date in the UK is Monday 14th April

But getting back to Steve Niles. Currently in the US, he is experiencing even more success wiith his current graphic novel series "Simon Dark". This is a compelling story about a teenage Frankenstein type loner who is comprised of numerous body parts. He can't remember his name or who his parents are.

But here's the catch - he lives in Gotham City. Simon Dark is the first officially commissioned Gotham City character that has been given his own graphicn novel series who isn't Batman or Robin. This could be the start of a new spin-off trend, and if anyone can make it convincing, it's probably Steve Niles

UK DVD Press Release of 30 Days DVD and Blood Trails -
http://www.noblepr.co.uk/Press_Releases/icon/30_days_of_night.htm

The Official Steve Niles Website -
http://www.steveniles.com/

The Official Ben Templesmith Website -
http://www.bentemplesmith.com/

One more note to add - Danny Huston is outstanding as the sinister lead vampire 'Marlow'. If you loved John Carpenter's The Thing and the innovative vampire flick 'Near Dark', then '30 Days of Night' will be right up your street.

'30 Days of Night' will literally take your head off.

Did you say the Hammy Awards or the Grammy Awards?

What can I possibly say except for the fact that if you like your awards ceremonies in the grand old tradition of American cheese, then this year's Grammy Awards was just the ticket.

In short, the show was cheap looking, tacky, corny, predictable and anything but spontaneous. I wish I could say one good thing about it, but when the highlight is a tribute to the cornerstones of rock and roll fifties style (Little Richard and Jerry Lee Lewis), you kind of have to ask yourself what the hell is happening "musically" in 2008.

No offence to the duet with Beyonce and Tina Turner, but the latter looked like a baked potato squeezed into a casket of bacofoil. With Tina, some things are best left alone.

And then there was Feist, probably the most irritating new female vocalist of the year. If I was a serial killer, I would have probably been the first one to walk into the Staples Centre in LA to make an attempt to shoot her.

Roll up to Kayne West, possibly the most self-obsessed hip-hop star of the moment. The only cool thing about his Graduation album is that he had the savvy to sample Daft Punk. Other than that, he's like a self-inludgent ass who makes Puff Daddy seem like the Sally Field in the Flying Nun.

His acceptance speech went on to long to the point where the hall tried drowning him out with pre-recorded music. He immediately told the hall to cut the music so he could finish his all -important speech about hip-hop not being dead (when we all know it should have died around 4 years ago).

For the current rock elite, the Foo Fighters won an award. Lots of screaming and shouting and average songs that make we shrug my shoulders and say "If the original drummer from Nirvana wasn't fronting the band, nobody would be listening."

FF are not great. In fact, I see them as some kind of convenient excuse to upold the legitimacy of rock and roll. Only problem is that Foo Fighters are a god awful rock band with no redeeming qualities. Dave isn't sexy and the music is grating, although the band seem to think they are the true masters of irony.

So, with the exception of thunder thighs Kerri Underwood (former blah blah American Idol country and western muppet), there was no Britney or Christina this year. Although there was Rhianna, dressed in a candy wrapper, and singing out of tune.

The real highlights of the evening were some of the co-presenters who didn't get to perform, particularly the great Carole King. The amazing Cindy Lauper also presented an award, but sadly, she didn't get to sing a number.

Alicia Keys started the show off by singing a duet with Frank Sinatra, and she also went on to win an award for mundane piece of drivel that reared it's ugly head in the R&B charts. Keys comes on high and mighty, but she isn't the star she probably thinks she is.

Also when one of the other highlights includes Kid Rock presenting an award, you now the show is lacking some serious shit.

Out rolled Andy Williams and Tony Bennet from the retirement home, to present a few awards. To make them look good, they were accompanied by Nelly "fake-hop" Furtado (she's the only woman I know who makes Canadians feel embarassed to be Canadian) and that sexy Spanish chick from Without A Trace who sounds sexy but I never understand what the hell she is saying).

The highlight of the night probably had to be non-other than the wicked witch of the west, Amy Winehouse. Live from satellite to the Riverside Studios in London's Hammersmith. Amy sang "Rehab" and came across as a psychotic putz. She went on to win 5 of the six nominated awards she was up for.

Inarticulate, awkward and unnerving to watch, Winehouse, is not only unstable but she's also unbearable. Another blog I read recently said "Somebody give the girl a ham sandwich!" I couldn't agree more. During her acceptance speech, Amy screamed, "Camden Town is burning down." Hail, hail, the witch is dead (or melting).

Other cringe-worthy highlights of the night included Black Eyed Peas' Fergie trying to be Sade while accompanied by no-name John Legend on piano. Kind of gave a new meaning to the word "bland".

Rip-off of the evening, Burt Bacharach and Doris Day both won Lifetime Achievement Awards but weren't at the awards to make a speech.

Question: Is Doris Day still alive?

Herbie Hancock won for 'River: The Joni Letters', which made for a refreshing change from a hip hop album winning the award. I love Herbie. I am curiouis to hear the album. His acceptance speech probably represented the penultimate Grammy Award snapshot moment. Anyone who thanks John Coltrane and Miles Davis in his acceptance speech, must be cool.

No Justin. No Michael Jackson. No Moonwalking.

Wake up Los Angeles. The Grammy Awards needs a serious facelift (and I ain't talkin' plastic).

Polysics - Japanese Moonage Daydream

Don't ask me how I ended up on the Polysics MySpace page, it happened by accident.

Whilst trying my best to avoid the latest Natasha Beddingfold video, I crashed into what I can only describe as a zany post-modern homage to a Japanese pop band who are a cross between The Jetsons and DEVO. They make Daft Punk seem boring.

Their video for 'Electric Surfin Go Go' is hilarious, if not super-charged, cartoon-like and very entertaining. Like a breath of fresh air, and a much-needed alternative from all the indie rock rubbish that is currently being force fed down our throats by record companies who lack a sense of imagination and vision.

Well, if you want vision, then Japan's 'Polysics' (sic name for a band), is your secret gateway into something new, fun and exciting. Check out the video for 'Electric Surfin Go Go' - http://vids.myspace.com/index.cfm?fuseaction=vids.individual&VideoID=18919404

If you want to see if the band can cut it live, then check out 'New Wave Jacket' -
http://vids.myspace.com/index.cfm?fuseaction=vids.individual&VideoID=18301291

What really sums of the genius of Polysics is their ultra cool and deadpan futuristic pisstake video of tacky hip off body-popping dance moves. One member of the band impersonates Michael Jackson's moonwalking to the point where it's almost ridiculous but cool.

The video is for the song 'I My Me Mine' -

http://vids.myspace.com/index.cfm?fuseaction=vids.individual&VideoID=18273074

Polysics are MySpace's best kept secret (but not for long).

Was (Not Was) Go "BOO!" With First New Album in 16 Years

Was (Not Was), the seminal, indestructible art-funk collective from Detroit have just returned from 16 year hibernation. They are finally ready to ensnare the innocent with its snaky beats and brain-virus lyrics. The new album and Rykodisc debut, "BOO!" is set for release on April 8, 2008 in the U.S. / April 7, 2008 UK and worldwide.

In a quasi coma since 1992, when they opened a 4-month tour for Dire Straits (?) across Europe, Don and David Was are again ready to rumble and are planning an endless series of live dates accompanied by special guests and friends the boys have bonded with over the years.

Was (Not Was) will perform a special sneak-peak engagement on Valentine’s Day at the Orpheum Theatre in Los Angeles, with special guests Kris Kristofferson and Brian Wilson, and will also be hitting SXSW in March. Kris Kristofferson makes a guest appearance on the closing track of Boo! -- a swirling, psychedelic spoken word number, Green Pills in the Dresser.

With "BOO!" David Was (flute, harmonica, keys and vox) Don Was (bass, keyboards, percussion, programming, vox), Sweet Pea Atkinson (lead vocals) and Sir Henry Bowen (lead vocals) have created an album brewing with the unconventional lyrics and funk-driven R&B beats for which the band is known.

And, as is the Was (Not Was) way, a host of additional players join in on the party: Donald Ray Mitchell (lead vox), David McMurray (sax and horn arrangements), Randy Jacobs (guitar) Jamie Muhoberac (keyboards) and Luis Resto (keyboards), just to name a few. The album was produced by Don and David Was, engineered and mixed by Rik Pekkonen, Krish Sharma and Don Was.

Of course, that's not all the lads were up to all those years. Don Was stepped to the fore as a producer after working with Bonnie Raitt on the Grammy-winning Nick of Time, staying in constant demand for the next decade and working with everyone from, The Stones to Iggy to Kristofferson to the B52's to Elton John and Brian Wilson, to drop just a few names.

David Was went Hollywood and produced two soundtrack collections for the X-Filesand wound up scoring two network TV dramas. And together, Don and David produced the Grammy-winning Roy Orbison/k.d. lang duet of Crying as well as Bob Dylan's Under the Red Sky album. They also started a badminton club for ex-cons called the Birdie Men from Alcatraz, or so it was rumored.

The band reformed to play the Sundance Film Festival in the winter of 2004 and made a triumphal return to London's Jazz Café the following fall.

Was (Not Was) may have been napping, but they never stopped having nightmares! The results will soon storm the barricades of radio, concert halls and festivals 'til they are sent to their rooms to do more audio homework. Stay tuned. Don't drop out, not just yet!

BOO! The New Album
Tracklising -

01. Semi Interesting Week
02. It's A Miracle
03. Your Luck Won't Last
04. From The Head To The Heart
05. Big Black Hole
06. Needletooth
07. Forget Everything
08. Crazy Water
09. Mr. Alice Doesn't Live Here Anymore
10. Green Pills In The Dresser (ft. Kris Kristofferson)

BLASTS FROM THE WAS (NOT WAS) PAST:

Shake Your Head (ft. Kim Basinger)
http://www.youtube.com/watch?v=65ruXryKPTA

Walk The Dinosaur
http://www.youtube.com/watch?v=wNRsIFKLDBk

Spy In The House Of Love
http://www.youtube.com/watch?v=V8bZ3zf_4l0

Plus . . .

Was (Not Was) on MySpace
http://www.myspace.com/wasnotwasfreaks

Lou Reed joins Stephen Emmer & Tony Visconti on 'Recitement' Spoken Word Album

Lou Reed is among the artists collaborating on a new spoken word album. The former Velvet Underground frontman recites Paul Theroux’s poem ‘Passengers.’ ‘Recitement’ comprises of a diverse set of literary source texts reinterpreted to a soundtrack of original music compositions.

Check out the stunning video for Passengers ft. Lou Reed reciting Paul Theroux's poem of the same name. Stephen Emmer's music is haunting, and Tony's Visconti's mix is astouding. A gorgeous collaboration of talented minds. Reed/Emmer/Visconti. Awesome!

Passengers video - http://www.youtube.com/watch?v=JbSTAwpfwcY

The record features recitals from numerous musicians, including Blonde Redhead singer Kazu Makino, plus writers like Allen Ginsberg and actors including Richard Burton. The literature is drawn from such diverse writers as Yoko Ono and Thomas Hardy.

The 17 tracks are performed in seven different languages and are mixed by Tony Visconti. The legendary producer, famed for his work with David Bowie and T-Rex, is expected to begin work on Klaxons second album at the end of the month.

‘Recitement’ is the brainchild of leading avant-garde music composer Stephen Emmer.

Emmer began his career in experimental Dutch band Minny Pops, who were signed to Factory Records. Fans of Lou Reed will be pleased he has undertaken a project with a degree of musical integrity after mixed reactions to his recent collaboration with The Killers on the track ‘Tranquillize.’

‘Recitement’ is released by Supertracks Records in the UK on 7th April 2008. Spoken word combined with original music composition never sounded so good.

Burning Down The (Amy) Winehouse

Surprise. It's another television appearance from North London's favourite screwed up singer, Amy Winehouse.

She made global news by not being allowed a visa to America to perform on last night's Grammy Awards. People are killing each other in Nigeria and Amy's still making the news. Go figure.

Thank god Madonna is releasing a new album in April.

What I don't understand about the Winehouse effect is that there are probably 7.5 million struggling musicians out there who would kill to be as successful as Amy, but everyone's favourite Devil Doll can't even string a sentence together. It must be fun to be inarticulate and sell millions of albums in the process.

"Camden's Burning," she cried out during one of last night's slurry acceptance speeches.

Cue for standing ovation from the American hipsters and the rock'n' hip-hop elite.

Close up of Justin Timberlake smiling with the instant nod of approval.

Even Lou Reed digs Amy's album. Is there no stopping this madness?

It's like some George Romero Night of the Living Dead movie that refuses to die. The zombie (Amy Winehouse) just keeps coming back from the dead. How does she do it?

On a more positive note, I couldn't help but chuckle when I read the following blurb written by E. Jasmin on the News Tribute blog, entitled - "Will Someone Give That Girl A Ham Sandwich?"

http://blogs.thenewstribune.com/ej/2008/02/11/will_somebody_get_amy_winehouse_a_sandwi

"The thing I was most looking forward to was Amy Winehouse who performed via satellite from London. We can look past some of her spacey, strung out demeanor, considering what she’s been through lately. (You Tube it if you don’t know already.) Oh, and the fact that it took her something like 15 seconds to remember she needed to give an acceptance speech after she won her next award – ahem – for some reason."

"But will someone please give that girl a ham sandwich? Extra mayo. Side order o’ cheesy fries. They could show a clip of that performance at Calista Flockhart and Mary-Kate Olson’s next intervention. I thought Amy’s legs might snap every time she did that weird knee-knocking thing during her oh so appropriate set list, “You Know I’m No Good” and “Rehab.” Her voice still sounds good. All jokes aside, congrats to Amy for racking up a whole shelf of well-deserved awards. And here’s hoping she can get her life back together before it's too late."

Now what was the movie called starring Bette Davis? Oh yeah, "Whatever Happened To Baby Jane". Amy Winehouse or Bette Davis? You decide.